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This tailpiece has a nasty habit of cracking at the right angle bend of the anchor. You can just barely see that this anchor is starting to crack as it passes over the edge of the body. If this part is taken to a saxophone repair shop, often they can repair it best to do this while it's cracked, and before it breaks. Truss rod adjustment at body end of neck: Truss rod adjustment at peghead: Epiphone used their own tuners with a slashed "C" logo and a pearloid button from about to on most mid to high-end models.

On their low-end guitars, they used an assortment of different tuners. Epiphone style tuners as used on most mid to high-end guitars. A few early models have block letter logos.

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Gibson continued using New York-made Epiphone necks, with laminated construction and script "E" logo, until all New York necks were used. Epiphone's stylized "E", which looks like a "C" with a horizontal slash, appeared in in literature and on metal peghead plates. Models with inlaid or paint logos made the changeover to Gibson necks and the slashed "C" logo style circa On flat tops, the Gibson neck can be distinguished by a wider flare towards the top of the peghead. By the catalog, all solidbody guitars are pictured with the slashed "C" logo.

These varied considerably from guitar to guitar, year to year. Note the standard script "E" and cloud style fingerboard inlay. On some Deluxe model, Epiphone used Emperior style fingerboard inlays instead. Note the standard script "E" and "V" fingerboard inlay; it's pearl with a "V" insert of abalone. Before the war, the "V" inlays were all pearl no abalone , and had a black separating line to separate the "V" from the block.

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After Gibson bought Epiphone in , Epiphone parts were used up before Gibson parts were issued. This occured on Gibson-made Epiphone starting in In addition to New York pickups, both acoustics and electrics featured New York necks with a pronouced "V" shape that Gibson necks did not have. The New York Epiphone peghead shape is also different from that of the later Gibson made necks. The stock of Epi-made necks ran out in late or early on most models. Binding on an Epi: The binding used on NY era Epiphones and before was troublesome.

The binding was made of celluloid, and glued in place with an Acetone based glue. The problem is that the binding shrinks considerably with age, and can literial turn to dust. There is no way to fix this short of replacing the binding. Environmental issue UV light and temperature extremes can make the problem worse. Epiphone "carrosel" knob from the 's. These were used from the late 's until about The brass "ten position" nail was Gibson's idea to embelish these knobs. Epiphone most typical electric guitar knob of the 's was the "carrosel" knob.

This bakelite material knob was very unique to epiphone.

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PegHead Markings other than Serial Numbers "seconds" When Gibson owned Epiphone after , they often marked inferior quality guitars as "seconds", and sold them at a discount to dealers or employees. These markings were stamped into the wood on the back of the peghead. A "2" stamp is sometimes seen, designating a "second", which had some cosmetic flaw. If there is a serial number on the back of the peghead, the "2" is usually seen centered above or below it.

These were only sold to employees at substantial discounts. This stamp is also seen on the back of the peghead.

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All second instruments are usually worth less than the same guitar that is not a second given condition as the same. BGN instruments are worth less than a second instrument because these tend to have some fairly serious cosmetic flaw. The easiest way to tell the year of an Epiphone instrument is by its serial number. Serial numbers are from Jim Fisch, L. Fred, Tom Wheeler, Walter Carter. There are no known factory ledgers for Epiphone. Obviously it has some shortcomings as it is just the sales for one music store. For the most part serial numbers after are consecutive, and hence provide production numbers indicating the number of instruments produced.

My Sheraton was indeed made in Korea in May For those who want to date their guitars, check this site out:.

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Un Sung Musical Instrument Co. They have productive capability 50, of Electric Guitars and basses a year. Not only do they produce guitars for several well known brands by OEM but also have their own line 'Silver Star'. I bought an Epiphone Dot today, it's really pretty and plays wonderful. This is my first electric guitar, saved up for it for a long time. I wondered if you could tell me where or when it was made,.

Gibson Brands Forums: Epiphone Serial Number Decoding - Gibson Brands Forums

Most regular production models since ca. Many '80s and early '90s serial numbers may follow a similar scheme, but may not include a factory ID code. Strange, the Guitar Dater Project doesn't recognise it either: The guitar I believe to be made in the 70's but? It is dark maple sunburst, gold plated hardware, and serial is S The number is on the back of tuning head. Seems that Epiphone started the numbering over again , I called Epiphone Factory rep's and was told S was made in 's. Can anyone help thanks. Contact Contents Privacy Policy Forum. Posted 13 November - Posted 05 December - Community Forum Software by IP.

Page 1 of 1 You cannot start a new topic You cannot reply to this topic. There are basically four distinct formats, also called identifiers, in which order serial numbers occur on Epiphone instruments.

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For Japanese and refurbished models, which are special cases, see bottom. Models from and onwards omit the factory ID letter prefix. Pre productions also frequently omit the factory letter codes and appeared as all digits, e.

There may be no factory designator for some and earlier models. A single digit month of manufacture may occur for some and earlier models. The ranking number may consist of any number of digits. Seen on "Epi" brand guitars.